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PROVENANCE RESEARCH

Collection Info
PROVENANCE RESEARCH

View all works covered by the Provenance Research Project

As part of its mission, the Nasher Museum of Art at Duke University conducts and publishes research on the art in its collections. One important component of that research is the documentation of a work's provenance, or previous history of ownership before it was acquired by the museum. In December 1999 the American Association of Museums (AAM) issued its Guidelines Concerning the Unlawful Appropriation of Objects During the Nazi Era, asking museums to identify works in their collections with incomplete provenances for the years 1933 to 1945. During this period many artworks were unlawfully seized by the Nazis from public and private collections. The Nasher Museum participates in the AAM’s provenance website, the Nazi-Era Provenance Information Portal (NEPIP.org). The Nasher Museum also subscribes to the Art Loss Register (www.artloss.com) and regularly uploads information on works in the museum's collections with incomplete provenances.

The Nasher Museum’s aim is to compile all known provenance information for works in its collection created before 1946, transferred after 1932 and before 1946, and which were, or could have been, in continental Europe during the Nazi Era. This information will be posted on this site.

Gaps in provenance are common and do not in themselves constitute evidence of looting from archeological sites or seizure by the Nazis. It is often the case that records do not survive from half a century ago. Provenance research is an ongoing process, and the Nasher Museum welcomes any information that the public has on the ownership history of works in its collections.

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Two People Sleeping on the Street
Auguste-Lucien Bognard
1930
Wash, brush, and crayon on paper
1968.3.1
People Gathered under a Tree by a Restaurant
Auguste-Lucien Bognard
1928
Watercolor on paper
1968.4.1
Portrait of a Young Woman
Francesco d'Ubertino Verdi (called Il Bachiacca)
Chalk on paper
1971.14.1
Reclining Woman
Henri Matisse
1941
Ink on wove paper
1983.10.16
Shepherd and Shepherdess
François Boucher, attributed
18th Century
Chalk on paper
1986.16.1
Apotheosis of Saint James
Matias de Arteaga y Alfaro
early 1660s
Ink, sepia wash and graphite on paper
1986.16.2
Loading and Unloading of a Vessel
P. van der Kloet
c. 1735
Wash and graphite on paper
1986.16.3
Northern Mountain Landscape with Shepherd
Herman van Swanevelt, attributed
17th century
Ink and sepia wash on paper
1987.12.8
Les Lansquenets
Xavier Mellery, attributed
n.d.
Pen, black wash and gouache on paper
1988.5.7
Court Scene with Entertainers
Moritz von Schwind
19th century
Pen with blue and grey wash on paper
1988.5.8
Amours
Jean-Baptiste Mallet, attributed
18th century
Brown ink and sepia wash
1988.5.9
Christ in Gethsemane
Pieter van Reyshoot, attributed
18th century
Ink and wash on paper
1988.5.13
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